Into Harihar Nagar

So finally after quite some effort to get tickets (unusual for a Malayalam movie in Bangalore) I managed to see the much awaited ’2 Harihar Nagar’. Everyone was talking about it, some to the extent that it is the best movie in Malayalam in a long time, which was quite believable looking at the standard of some of the recent flicks I had seen.

This post is not about a review for the movie, so I’ll keep it short. The movie was just about ok. First half was excellent with some good humour (if you can excuse some really bad PJs in between). Second half was at best average, too much emo and twists and turns. But enjoyable anyway. Lal (the director and producer) however has realized the power of nostalgia. Solely due to this, the movie is going to make big bucks. It works on that feeling you get when you think of the golden age of Malayalam cinema that ‘In Harihar Nagar’ was part of.

I was probably 5 years old when the original was released and I remember going to the theatre with my parents and cousins for this. My mind was too young to really grasp the full crux of all that was happening on screen. But watching it again (and again) during adulthood, made me realize how ‘real’ this movie was. The basic plot was too outrageous to be real, but what I mean are the fine details. Every silly joke in that movie, I have seen played around me or I can imagine being played around me. That was the real brilliance behind the original and why it turned out to be a cult classic in Kerala. Every person who has some ‘malluness’ in him, would know those punchlines by heart.

I have heard loads of complaints from my non-Keralite friends, saying that Malayalam films are too real (won’t say that about the recent ones though), that there is no feeling of escapism in them. Well I love ‘real’, and I think most Malayalees do too. Maybe we didn’t need that escapism, maybe it’s already provided to us by all the ‘gelf’ money, lazyness and all the booze that we didn’t need them in the movies. But ‘real’ films owned the market in Malayalam and probably that was the major reason why the recent ‘superhero larger-than-life’ films fail. They should go back to making films like they used to! Those Mohanlal ‘unemployed’ flicks, Mamootty’s family movies, Mukesh’s ‘fraud’ movies, Jayaram’s ‘how-to-escape-from-a-big-mess’ flicks, Padmarajan’s classics, Sreenivasan’s satires… aww.. it was such a beautiful world!

I got bit by the nostalgia bug again! Back to those old cds (.avi’s rather)… ;)

Posted by Anoop Sankar
  • http://usandeep.com/ sandeep

    padmarajan was a class act and no point expecting to see the quality of his movies from the curent lot. i still get goosebumps thinking abt movies like thoovanathumbikal. bharathan is gone too and people like hariharan and sibi malayil seems to have lost their touch. guess, directors like blessy (kaazhcha, thanmathra), ranjith (nandanam, kayyoppu, thirakkatha) and roshan andrews (notebook) is the only hope

    abt 2 harihar nagar, i liked it till the suspense, but was disappointed by the last 15 mins emotional athyachar :)

  • http://www.bobsindia.com Boby Thomas

    Though many Malayalam movies add spices and little bit of extra stuffs to make it interesting, it was always close to reality. Mid eighties and early nineties many Malayalam movies were based on qualified bachelors struggling to find a job. Before that, many black and white movies, the main theme was around a rich “jamindar” and poor people around him. Now we don’t see that anymore. We like to eat spicy chicken but not spice alone. Spice alone will NOT digest for mallus I think.

  • EsPrEsSo

    Echo!
    Its the realistic sense in mallu movies, I think, that people appreciate most. Those good old 70s, 80s and 90s movies – I dont think we’d ever get such a golden era back.
    The late Padmarajan, Bharathan and the living Fazil, Priyadarshan etc. all are legends.
    And yea, the scripts then were really good. In most of them, you can find a deep analysis of human emotions and behaviour. Every aspect so carefully taken care of….Maybe we’ll never have such scripts or such directors…:(

  • Anoop

    @Sandeep: Agree to all except Notebook. hmm.. I didn’t think that was a good movie at all :)
    @All : Thanks for the comments!

  • Tony

    hmm….nice musings, but then there are a lot of reasons why we dont make those films again..the audience liked the unemployed mohanlal, but at that time he was 30. Now he is around 50. One can expect mohanlal to make similar films in this age. same is with mamooty, mukesh, siddique and others.The producers on the other hand knows that they will get maximum profit from these mega stars. So they create such roles for them. Also even if new talents like Prithviraj comes up, these megastars try to subdue them. In effect, at this time there are no one apt enough to do these kind of roles. Lets hope things will change in the future..cheers

  • Anoop

    My wish is definitely not to have Mohanlal act as a college kumaran!. My concern is why there hasn’t been new talent that can be compared at par with the old legends.

  • http://coolraindrops.blogspot.com/ Priya

    Couldn’t see the movie yet :(

    I too agree with you, regarding the film ‘Notebook’.

    with regards,
    Hailsone.

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